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Books
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Publication year: 2007
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| Series: | Biblical Interpretation Series, 90 |
| ISBN-13 (i)The ISBN (International Standard Book Number) has been changed from 10 to 13 digits on 1 January 2007: | 978 90 04 16374 4 |
| ISBN-10: | 90 04 16374 3 |
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| Cover: | Hardback |
| Number of pages: | xiv, 222 pp 12 pp. |
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| List price: | € 109.00 / US$ 162.00 |
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Table of contents
List of Illustrations
Acknowledgements
Matthew 14:22-33 —Nestle-Aland 27th Edition and NRSV
Chapter One: Introduction to the Project and a Description of Wirkungsgeschichte
Chapter Two: A Historical Critical Examination of Mt 14:22-33
Chapter Three: A Literary Critical Examination of Mt 14:22-33
Chapter Four: ‘Effects’ of Mt 14:22-33 in some Nineteenth-Century Theological Texts
Chapter Five: Some Visual ‘Effects’ of Mt 14:22-33
Chapter Six: Conclusion
Abstract
Bibliography
Index
Reviews
'...throughout Nicholls entertains the readers with insights and interesting thoughts as well as with a fresh and thought-provoking way of looking at an all too familiar text.'
Roland Deines, University of Nottingham, Expository Times, May 2009
Readership
All those interested in new approaches in New Testament Studies, plus those exploring the connections between works of art and biblical stories: art historians, cultural historians, biblical scholars.
About the author(s)
Rachel Nicholls, Ph.D. (2005) in New Testament Studies from the University of Cambridge is a priest in the Church of England. She regularly gives papers on the place of Wirkungsgeschichte in New Testament exegesis.
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The concept of Wirkungsgeschichte is gaining ground in New Testament Studies. It involves the gathering of diverse interpretations of a text, but can it offer significant exegetical results or is it merely a form of cultural stamp collecting? This book explores the background of Wirkungsgeschichte in the philosophy of Hans-Georg Gadamer and applies the theory to a single pericope, Mt 14:22-33. Traditional historical and literary examinations of this story are brought into conversation with six works of art and a number of nineteenth century theological texts. The result is an enriched interpretation which fruitfully alerts us to the narrowness of the vision of our own time and place.
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